After the events which have put end to the second film, passed six years. At three pairs our heroes remarkable children grow, only their education limps – Igor of the son too sponsors, while Artem, on the contrary, considers that his son will reach everything itself. And about the Sauna and there is nothing to speak – he only indulges the daughters twins. And everything takes its course until mothers do not leave the families, having gone on week rest. Three old friends immediately meet Valentin Bedrosovich, and the wizard again grants of them rash desire – does children by adults. Here only with children problems grew up also – education has an effect. To return to children the lost childhood, parents should go again across the ocean to execute St. Valentine old whim.
As the second director of a picture David Dodson working earlier as the film editor at all pictures of Maryus Weisberg acted
Difficult to itself to present the audience who with impatience would expect the third part of the franchize of Maryus Weisberg «Love in the big city». If in the first picture still any sensible comedy grain also was, in the second film there was only money. However, someone clever prompted, probably, to Weisberg that it is necessary to brake, it is necessary to stop, take breath both to the director, and heroes. The pause between the second and third film made nearly four years, but also it is to a picture after all did not do good.
On what these years left, besides, that Maryus during this time gave out «Rzhev against Napoleon» and «8 first appointments»? It is difficult to tell. Level of the scenario did not surpass an operating time of the first two pictures, actors too did not make huge steps forward (unless Hodchenkova very sidewise made the way on a distant edge of the international scene) and the director does not offer anything new – «Love 3» as if did not leave the audience.
The invited star of the film became Sheron Stone. It replaced refused participation at a stage препродакшена Monica Beluchchi
First of all the inconsistent scenario – unfortunately, of course, is evident, all outgrowths, artificially imparted to original idea of the first film, only spoil a picture. Here screenwriters can sympathize only, such effect is often appreciable in the American series – when the main idea keeps within a standard season, and further, at extension, it is necessary to fabricate a plot that always is very badly reflected and in reliability of the events on the screen, and on logic of events, and on being scattered fine details. Here everything occurs exactly as – the history with evolved children badly keeps within even fantastic reality of a picture, to look at it critically at all it is not necessary, sight is more expensive.
At such scenario it is necessary to leave on gags and work of actors. Trouble that Weisberg – catastrophically "unhumorous" director. Its "fad" is vaudevilles like the same "Rzhev" or «Hitler kaput!», in which the humour is constructed on low-level toilet гопническом a set of jokes. In "Lyubovyakh" such approach is inappropriate, therefore "jokes" should either be chewed, or to reduce to market station level, or (and it is characteristic reception for Weisberg) heroes laugh at jokes, designating the viewer that supposedly here – have a laugh!
However «To love in the big city 3» any nasmotrenny viewer can present all minuses to itself even before film viewing, I would like to note some pluses. First of all – in a picture quite interesting moral message about education of children was shown, that parents do of children where conduct and as try to make of the child something absolutely opposite to the young personality. Alas, this thought is hided on boondocks, and to the ending of the film is at all forgotten (approximately in the middle of the film unfortunate parents "get rid" of children and укатывают to Vegas). Well, though a small push for thinking parents – and that is good. The second plus of a picture is very conditional, but is extremely actual this year. The matter is that third "Love", as well as many present domestic products, acted in film at the same time both for film distribution, and for a multiseries TV broadcast. And so, it is joyful to note that in comparison with «The dark world» and «Three musketeers» "Love" most dexterously managed to consult with the scenario and installation – the film does not look a trailer of series or cutting from several episodes. Already success!