Marokkanka Maiya since childhood lives in Paris, here her friends, here it found herself, here the girl passed a way from a young stazherka to the leading designer of the prestigious fashionable house. On the trouble on the eve of important display on which the professional future of the girl should be solved, the Maya gets under a sight of migratory police – it appears, its visa is delayed long ago, the lady show the door home. And the house is waited by a modest hut in a small village туарегов, absence of all fashionable clubs and boutiques and work of dream departures from hands. The Maya should return to Paris by all means …
We fly Kerichi is the participant of a comic theatrical sextet of La Bande a Fifi which five members appear in the film
Expansion of the French cinema on the Russian earth does not weaken the second year. It is possible to envy only to efficiency of the French cinematographers and their ingenuity, after all the French films at us leaves almost more than domestic, and level France holds the very decent. Only will seem that here and the weakling as the film changes and appears at all for what from it you wait got at last.
The debut Reim Kerichi in big cinema took place in 2009 in Michel Hazanavichus’s picture «the Agent 117: Mission in Rio» with Jean Dyuzharden in a leading role
"Paris" fully shows not double, but a desyaterny bottom – from it wait for banal succession of events, but it, figurno writing out a monogram, jumps from a template to a template, one without grasping for a long time. Here on the second plan among the Parisian beauties of modeling appearance there is a fatty-stazherka, and it seems that now to us will show the next history of the Cinderella. But anything similar, teased and forgot. Here the owner of the fashionable house declares open competition between two pretenders to a place of the leading fashion designer, and it seems that here rivalry between two young stinkers for an arrangement of the boss now will begin. On the contrary, the film taxis to the opposite side. Here the main character is threatened by deportation, and the best way to remain in Europe for it is marriage with the Frenchman, but her lawyer admirer does not wish to play "Offer", as Sandra Bullock and Ryan Reynolds. He refuses, and the picture again abruptly turns off on other highway.
But it is only superficial glance on the film, and after all is in it and more drama background. «Paris at any cost» is also very actual film about destiny of migrants. Actual both for France, and for Russia. The main character of the film – that come in large numbers to "not rubber" Paris from unpromising, depressive, not meeting modern requirements of young people of the near abroad for France. For many years of the Maya became the real Parisian, and that gives it return to roots more difficultly.
To pleasure of the audience, founders of the film did not begin to load history banal morals that "there’s no place like home" that «where was born, there and was useful» and to that similar excuses of idlers, in a century of mobility, social networks, free movement on the world to hammer it the head of the viewer unreasonably. Reim Kerichi, the director, the screenwriter and the featured actress in combination, also did not begin to do it. She acts much more accurately – a pier and, we are visitors, but we not such and bad, we it is better than some radical Frenchmen and absolutely precisely we will not spoil Paris. And the house in Morocco? Well, it is good as a residence of grandmothers and parents, and young there it is necessary to look only on holiday.
On the screen, it is very interesting to try on these thoughts, as well as in general all events on the Russian reality, representing on a place of the Maya any conditional Uzbek Zulfiya. The film in such approach gets absolutely other volume. Our cinema is not so courageous yet, at us though the Tajik yard keeper and prompts to the president the correct words of the New Year’s address in "Fir-trees", but to the protagonist of the comedy with rather strong national color did not grow yet.