In the small city in usual at first sight to a family there is a tragedy – parents small Niam perish during the terrible poltergeist. The girl escaped, and it is taken for a while to themselves by neighbors, but about that happened in the house, nobody trusts it. While similar things do not start to occur in its "new" family.
Played Niam Missie Kiting – the daughter of one of soloists is no time Ronan Kitinga’s popular "malchikovy" group Boyzone
Amateur filmmakers with an experience for certain remember Marina De Van’s name – ten years ago on traces «8 women» Francois Ozona (Van acted in it as the script writer) to us brought her "solo" film «In my skin» (2002), and then about it wrote everyone. Someone called it pozershy, covering with superfluous violence a lack of ideas, someone – the real "artist" projecting sincere sufferings of the heroes in sufferings physical. Anyway, the interest wave to De Van both rose, and subsided, though she anywhere did not get to – removed some short films and tested in (rather) commercial cinema with the thriller "Do not look back" (2009) with Sofie Marceau and Monica Beluchchi’s participation.
Russia – the first country in which the picture leaves in film distribution, before it was shown only at festivals
«Dark touch» – its first English-speaking project created on money of Ireland, France and Sweden. The project it is again underlined cynical, it is underlined brutal, it is underlined "author’s". It distinguishes it from others, forcing to be pressed tightly in memory, same the film and brings, leaving with feeling as if De Van kaleny iron etched from a plot all hints on internal logic if only the ending turned out as much as possible shocking and cruel.
Obviously, intentions De Van were most that on is good – actions Niam move as reaction to violence from adults in relation to children. And speech not only about a direct physical abuse, but also about violence moral – first of all will and identity suppression. Still Newton proved that any action gives rise to counteraction – and it can accept different forms, whether it be a pelting of offenders sharp subjects by means of telekinesis or a banal vymeshcheniye of the evil on contemporaries or dolls (one especially ridiculous, but a memorable scene).